Patio Pileta – Courtyard Pool

Vöcks de Schwindt

Date:

06/06/2025

Time:

21:00

Venue:

Category:

Theater / Performance
📷 Jana Kießer
In the 1970s, an inexpensive, dismountable pool called the Pelopincho revolutionized the summers in Argentina for those who couldn’t go on holiday. To this day, it can still be found on terraces, in gardens and courtyards – a symbol of everyday urban culture. The performance follows the traces of performer Gabriela Turano’s childhood in the 1990s in a suburb of Buenos Aires to her current life in Berlin. What happens when memories of summer days in the pool are evoked? How can nostalgia become an act of the present? With sensitivity and humour, the performance tells of migration, identity and the contradictions of voluntary emigration. With the Pelopincho at its centre, the piece gives space to the different levels of meaning that an object can take on in the course of our lives.
Patio Pileta – Courtyard Pool

In the 1970s, there was a small, inexpensive pool in Argentina: the pelopincho.
It stood on balconies, in courtyards or gardens –
for those who couldn’t travel in the summer.

To this day, the pelopincho is part of everyday urban life in Argentina.

In the performance Patio Pileta, Gabriela Turano talks about her childhood in a suburb of Buenos Aires in the 1990s –
and of her life in Berlin today.

What happens when we think of old summer days?
How does memory become a part of now?

With sensitivity and humor, the play tells of:
– Migration,
– identity,
– and the contradictions of voluntarily choosing a new country.

At the center is the pelopincho –
a simple object that can carry many meanings.
Direction: Vöcks de Schwindt | Performance: Gabriela Turano | Text: Gabriela Turano & Federico Vöcks de Schwindt | Costume: Lena Lupo Loy | Space & Light design: Wenzel Vöcks de Schwindt | Music: Ignacio Villa | A production by Vöcks de Schwindt.

Language:

Spanish with English and German subtitles

Duration:

40 min

Content Note:

Accessibility:

loud music, early boarding, relaxed performance
This guest performance is made possible by the support of Ilse and Dr. Horst Rusch Stiftung.